Planters Test Piece

As a 2D and 3D animation department, we are asked to do a multitude of different tasks for our clients.  We absolutely welcome the challenge because with every new endeavor, we strengthen our abilities as animators.  On this particular occasion, we were asked to build a package for Planters Flavor Grove.  The print ad they had been using had the old packaging on it, and rather than do a complete re-shoot with the new label, they wanted us to build it in 3D and render out multiple angles so they could just replace the old package.

Because we are an animation department, we started thinking “what else can we do with this packaging?”  What we came up with is this short piece featuring the classic peanut glass jar, the new bag package, and of course, Mr. Peanut himself.



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The Lake District by Brian Robson

I have just returned from a trip to Europe where I re-visited the Lake District in England.

Many years ago I painted this scene of Grasmere for a series of Landscapes commissioned by The Athena Print and Poster Company.

Please enjoy the view…



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A Right Royal Wingding

The Punk movement of the 1970′s had pretty much fizzled out
by the time the young anarchists decided to hang around the Tower of London in the mid-eighties.
Legend has it that when the last Raven leaves the Tower the British monarchy will finally come to an end.
Here we see an Airbrush painting by Brian Robson from that time period depicting a glamourous anarchist blowing away perhaps the last feather of the Tower’s Ravens and fulfilling the Sex Pistols prophecy of “Anarchy in the UK”

Is there a wedding happening today?

On a technical note: This airbrushed painting was created on Frisk CS10 Art Board using Winsor and Newton Shellac inks and the occasional Acrylic Paint. Swann Morton Surgical Scalpels and numerous rolls of FriskFilm prepared the ground work and a SimAir compressor pumped out the pressure to a variety of Airbrushes. (EFBE C1 hinged, Left-handed Paasche Turbo; well, you name them, I had a drawer full of them…)
Brian Robson.



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Happy Birthday Bridget Riley

This “Pop Art” poster was painted by Brian Robson in the mid- eighties as an homage to Bridget Riley.
How appropriate that today is her 80th birthday.
“Happy Birthday Bridget”.

On a technical note: These airbrushed paintings were created on Frisk CS10 Art Board using Winsor and Newton Shellac inks and the occasional Acrylic Paint. Swann Morton Surgical Scalpels and numerous rolls of FriskFilm prepared the ground work and a SimAir compressor pumped out the pressure to a variety of Airbrushes. (EFBE C1 hinged, Left-handed Paasche Turbo; well, you name them, I had a drawer full of them…)
Brian Robson.



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Celebrating 25 years of Classic Poster Art by Brian Robson

When I first moved to London as a young Illustrator fresh out of Art College I was fortunate enough to hook up with a great agent who not only represented me to all the big Ad Agencies but also exposed my ideas to various Poster Companies throughout Europe.

The result was an eclectic mix of Airbrushed Poster Art aimed at a very diverse and distinct range of audiences.
In the months ahead we shall revisit those heady days of hard work, fun and fast-times in “The Smoke.”

On a technical note: These airbrushed paintings were created on Frisk CS10 Art Board using Winsor and Newton Shellac inks and the occasional Acrylic Paint. Swann Morton Surgical Scalpels and numerous rolls of FriskFilm prepared the ground work and a SimAir compressor pumped out the pressure to a variety of Airbrushes. (EFBE C1 hinged, Left-handed Paasche Turbo; well, you name them, I had a drawer full of them!)

Brian Robson.



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Too Real Means Too Creepy

Does this article confirm us as a leader in the advertising art field? Art drawn with a “soul” starts with an artist not a computer mouse.

Here is an article from the Associated Press

Too good to be true: Near-realistic animation in Disney flick makes moviegoers squirm

BY RYAN NAKASHIMA AP BUSINESS WRITER
LOS ANGELES April 4, 2011 (AP)

Computer animation has a problem: When it gets too realistic, it starts creeping people out.

In this film publicity image released by Walt Disney Studios, the character Milo’s Mom, voiced by Joan Cusack, is shown in a scene from “Mars Needs Moms.” (AP Photo/Walt Disney Studios)
Most recently, moviegoers complained about the near-realistic depiction of humans in Disney’s 3-D flick “Mars Needs Moms.”

A theory called the “uncanny valley” says we tend to feel attracted to inanimate objects with human traits, the way a teddy bear or a rag doll seems cute. Our affection grows as an object looks more human. But if it looks too human, we suddenly become repulsed.

Instead of seeing what’s similar, we notice the flaws — and the motionless eyes or awkward movements suddenly make us uncomfortable.

“Mars” may have plunged to the bottom of this valley of fear.

“People always comment on things feeling strangely dead around the eyes,” said Chuck Sheetz, an animation director of “The Simpsons” and a professor at the University of California, Los Angeles. “If it gets too literal, it starts to feel false or has a strange effect.”

Skin texture that is slightly off can especially leave people feeling unsettled, said Patrick Markey, a psychologist and director of Villanova University’s Interpersonal Research Laboratory.

The near-realistic animation style championed by producer Robert Zemeckis uses motion-capture technology, where actors are covered with dots and skin suits and have their performances captured on computer. The dots provide the frame, and the rest is filled in with computerized graphics.

“Mars” creates humans that are more realistic and detailed than Zemeckis’ earlier attempts in such movies as “Beowulf” and “The Polar Express” — which were also criticized for inviting this discomfort. The greater detail might have made things worse.

Doug McGoldrick, who took his two daughters to see the movie, said the faces of the main characters “were just wrong.” Their foreheads were lifeless and plastic-looking, “like they used way too much botox or something,” said the 41-year-old photographer in the Chicago suburb of River Forest, Ill.

Marc Kelley, a 32-year-old pastor in Allegan, Mich., who went with his two young children, said he found the renditions of characters “all annoying in their own way.”

Indeed, when the mother of the main character Milo mentioned the word “zombies” at the start of the movie, it conjures up a feeling that the characters themselves are undead.

Animation experts say the key to success is to be only authentic enough to tug at our heart strings.

The best example of this was “Avatar,” the 2009 blockbuster that made $2.8 billion in theaters worldwide. The humanoid, but blue-bodied Na’vi were alien enough not to trigger our inner rejection mechanism.

“My own personal opinion is try to stay away from photo-real with a human,” said Greg Philyaw, the business development director at Giant Studios, which captured the performance of human actors for their digital re-creation in “Avatar.” “Subconsciously you know what you’re looking at isn’t quite right.”

The Walt Disney Co., by its actions, has already voted against the super-real animation format.

Last March, it said it would shut down the Zemeckis-run company ImageMovers Digital, which made “Mars,” to cut costs. Several months ago, Disney also nixed a plan to fund and distribute Zemeckis’ “Yellow Submarine,” a half-finished work he is now free to shop to other studios.

Disney would not comment for this story, and Zemeckis declined interview requests through an agent.

“Mars” had an estimated $150 million production budget, but has brought in just $34 million globally since its March 11 opening.

Here is a link to read the entire article

http://abcnews.go.com/Technology/wireStory?id=13289577



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Happy St.Patrick’s Day



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The Amazing Adaptable Artist

So you’ve looked at our website and none of our artists seem to have quite the style you’re looking for?

Never Fear!

Just provide us with a sample of the style you want and we’ll show you how our artists can imitate it.

Here is a style sample provided to us by a client:

Here is that style as reproduced by Tom McKee

Here is that style as reproduced by Doug Rief

Here is that style as reproduced by Mark Coleman

(The first image was “too cartoony” so the second image was to make it more realistic.)

Just let us know what you need and we’ll get the job done!



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Happy Valentine’s Day by Brian Robson

This piece of Finished Art for Corona was one of my first ever digital creations!

Created in 1998.

The Art Director was Randy Karey at Pinnacle Promotions.

Cheers Randy
and Happy Valentine’s Day!



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AND…..WE’RE “OFF”!

with today’s host and illustrator, Rick Lundeen

Thought I’d revisit some of the fun boards and animatics we’ve done in the past with Jim Fansler and Draft/FCB for OFF mosquito repellent.  We started years ago when Jim wanted us to approach an OFF commercial as a comic book, complete with dynamic angles, sound effects, the whole nine yards, in graphic, stark, black and with comic pages with sequential art.

We eventually went to animatic and went to color, focusing on different environments, suspense-driven atmosphere/situations but still keeping the dramatic angles and action.

Also, whenever we get a new round of OFF animatics, it gives me a chance to tweak and redesign the oncoming deadly mosquito swarm. Not every job lets you do that.



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